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Wednesday, November 26, 2025

Stranger Things 4 and 3! - The Weird

LET'S ROCK!!!

What are we running for?

When there's nowhere we can run to, anymore.

-Pat Benatar, Invincible


Well, I'm up there beside The Magic Man

And he laid some tricks on me

He said, "You do need help, my friend."

I whispered, "Obviously."

-Blue Oyster Cult, Shooting Shark


"The lost entity would very soon after death find himself unable to stay in Kamaloka, and would be irresistibly drawn in full consciousness into "his own place," the mysterious eighth sphere, there to slowly disintegrate after experiences best left undescribed. 

If, however, he perishes by suicide or sudden death, he may under certain circumstances...hold himself back from that awful fate by a death in life scarcely less awful-the ghastly existence of the vampire.

Since the eighth sphere cannot claim him until after death of the body, he preserves it in a kind of cataleptic trance by the horrible expedient of the transfusion into it of blood drawn from other human beings...and thus postpones his final destiny by the commission of wholesale murder."

-C.W. Leadbetter, "The Astral Plane, It's Scenery, Inhabitants and Phenomena"


"Thou shalt find

That I shall resume the shape,

Which thou dost think, I have cast off

Forever!"

-King Lear, Act 1, Scene 4, William Shakespeare


Riddle me this, riddle me this, riddle me that,

I'll bet you don't know just where I'm at.

-Toots and The Maytals, In the Dark


"Moreover, you shall eat no blood whatsoever, whether of fowl or of animal, in any of your dwelling places."

-Leviticus 7:26, The Bible


"Now, let's get down to it, boppers..."

-The Warriors


Meet Molisar, from THE KEEP.
He looks like Vecna for a reason.

This is part of my ongoing exegesis on the Netflix series hereby known as STRANGER THINGS, specifically the 4th season, although I'm also going to talk about 3. If you want to see my breakdown of season 3, go here: Stranger Things 3! - The Weird. You can start at the beginning right here: The Monster in Stranger Things.

I must warn you the writing style of these exegesis's is based on me talking to you at a bar or in your house. It's conversational. I'm going to wander around, messing with sticks and rope, until you notice we've just built a tent. That's why there are pauses and so many commas. I'm talking to you, not writing at you. 

We still are going to discuss STRANGER THINGS 3 some more. It's just that we need to discuss season 4 before we go back in time to fully understand season 3. When we do go back, we will talk about the real meaning behind THE NEVER ENDING STORY, and why it was referenced at the end of season 3. 


The Princess from THE NEVERENDING STORY.
Was she a prisoner, too?
Notice the sexual symbolism.
You grow old. Your dreams die.
You give up...maybe your child won't.
That's the new, eternal story mom and dad make.

We are still discussing season 3, it's just that we are engaging in time travel, which is what they will have to do in season 5 to prevent the horrifying gate that opened in season 4, which was a reference to the 80's horror classic THE GATE. The show has been bringing up time travel in some sort of predictive programming method (in the movie theater BACK TO THE FUTURE is showing, and a flaming 11 appears as the Delorean vanishes. 

"Look at me, I'm Jasen T. Davis, blah blah blah..."

Here are my predictions for STRANGER THINGS 5:

1) There's going to be serial killers, as in, mind controlled murderers, including a cult.

2) There's going to be time travel. This will fix the gate opening up. The Montauk Project STRANGER THINGS references was based on time travel.

3) There's going to be extraterrestrials/UFO's. The 80's were full of films involving aliens from space and all that. So it has to show up for the show to be complete.

4) The evil black mold disease in the house will have an extraterrestrial origin from somewhere long ago back in time.

5) The disease infects people. If they are evil, the get possessed and the disease controls them. It wants to duplicate, just like it told Billy in the warehouse at the beginning of season 4. Once it fully infects a person, they can be transformed. There might be a person that is completely evil and replaced, who has been in the show for a while.

6) Papa was killed in season 1. He was duplicated when Demogorgon killed him. There will be another Papa (Brenner) in season 5.


Notice how the Demogorgon, which came from another
dimension and a woman's mind...

...looks like this demon from the 80's horror film,
I, MADMAN, which came from another dimension
and a woman's mind?"

STRANGER THINGS 4 did it's best to get away from Eleven's problem being a tulpa of her doppleganger, or dark side. That's ok, because I'm here to point out that don't worry, tulpas are still a problem, so was The House in the show (it was always The House, since the first season), and nothing has changed. Demogorgon is still a tulpa, Vecna wasn't there since the beginning, and the Creel isn't The Big Bad, he's a possessed boy that somehow ended up in Eleven's head. Literally.

As previously mentioned your humble writer used to compose these STRANGER THINGS essays, put them up on the Internet, and then watch as YouTube video makers referenced the information without citing the original creator (me). Documentaries cite references. So do college papers and scientific abstracts.

That's why I took so long to write this. To make sure nobody copied my writing. For example...nobody figured out the reference to Molisar in season 4. Or that the Creel boy was possessed by The House. Or why his father blinds himself, and lives, whereas Eleven watched Creel die, and was possessed by him via quantum entanglement through here memories. That's why Vecna isn't looking for Eleven, anymore. He's in her head. Last season, it was the opposite, to take her powers.

Besides, if it was Vecna all along, we wouldn't have a season 5.


Squares and boxes, like she's in a crossword puzzle...in Papa's mind.

CROW SWORDS PUS ILLS

I'd like to draw attention to the crossword puzzle Eleven's father is working on in the first episode of season 4. Look at the answers. They correspond to the names involved in Eleven's strange Kali dream sequence in the previous season, where she was wandering around a warehouse with those odd people.

The warehouse is a cube, with cubes and squares everywhere. That's the crossword puzzle. Maybe it was a telepathic link to Papa. Maybe she was in his mind, or vice versa. Freeze the frame and look for words like "Kali" and the names involved in the dream sequence from season 3. They are the same for a reason.

Papa's symbol is the black cube, a powerful symbol of evil you see in film's like HELLRAISER. 

THE KEEP YOUSE PROMISES

I also watched STRANGER THINGS 4, every single damn episode, and suddenly realized, a) no YouTube video maker out there will notice that Vecna looks like Molisar from the 80's horror film THE KEEP, and b) I might not know what the frack I'm talking about. Vecna? Who is he? We've never seen that dude before. So he is the big bad behind everything? If so, have all my theories and essays been for nothing?


Have you noticed Billy ended up like Vecna was?

Before we go further, I disagree that "...Vecna has been there the whole time." Since episode 1 of season 1. Why? Because when Vecna kills people, unlike The Mind Flayer or The Demogorgon or the young Demogorgon hellhounds, they drain blood. Vecna does something else, leading to horrifically mangled, drained corpses. The audience never saw those until season 4, so Vecna didn't do that until then. 

If he was, then the only explanation is that he didn't have Eleven's power, yet. Also remember that the disease is Vecna. To The Shadow, disease, black rot, whatever, the dimension is a personality, and everything it uses to obtain blood and bioelectricity is just a tool, like Vecna, Demogorgon, or Demodogs.

So I went back and watched every single episode while I was writing scripts for Hollywood and realized something. A dirty, dark secret nobody has ever told you. This may break your heart. Like finding out there is no Tooth Fairy. You know the Dungeon Master you grew up with? That came up with all those zany plots you had so much fun playing? Sorry, your DM lied to you.

Like Molisar, Vecna can't leave The House.
He's trapped, like Billy, possessed by
The House as a boy.

When a player in your game decides to be a cynical smartass and suddenly announce to the entire plot of your creation to the others so your entire plot is ruined, all you can do, aside from killing the motherless bastard with a rusty knife, is to smile, nod, and completely change your entire plot from the foundation up. Like Carl Jung said, "If they can't take a hero's journey, fuck 'em."

Now the princess is a powerful vampire wizard that pretended to be kidnapped by the dragon. The evil drow elf assassin following the party around is really a spy trying to warn them that their employer is evil. Major villains are dismissed, minor NPC's become the real bad guys hiding in plain sight disquised as the populace, friends become foes and before they know it, your players are playing in an entirely new plot, without even knowing it.

That's Vecna.

Because of the appearance of a villain that has been there all along, it's time to look back at the last three seasons to see if we missed it. We did, in a way. The house Vecna is in showed up before in the upside down. The red, horrific storm in the background was seen in Billy's mind. Even (spoiler alert) Billy's horrific fate at the end of Stranger Things 3 foreshadows Vecan in Stranger Things 4. It's also a clue.

THE AMITYVILLE HORROR...an evil house.

I'll give The Duffer Brothers credit. They showed us the house in the very beginning, staring at us like a skull, and we just forgot. Even I included a picture of it. So here is what happened: The house is full of evil, like a disease or psychic message. It possessed the little boy, because he is a total sociopath who can contain such evil...good people, who feel guilt, are destroyed.

Look at when the father is thinking of when the family moved into the evil house in season 4. Pay attention to the little evil kid. His eyes are rolling up in his head. He's possessed...but because he was a sociopath who felt no guilt, he became Vecna. The House became him. When Vecna tells his story, it's all there. It's not Creel's perspective, it's The House that possessed the boy, who was a natural sociopath, like many serial killers during the 80's.


Another horror film from the 80's 
about an evil house.

His eyes are rolling up in his head, the whites are showing, and he's tripping from the psychic link. Yet, he doesn't die. The evil boy is the perfect vessel for the house. Later, he died, and has lived as an image in Eleven's head, trying to get out. Vecna still lives, in her head as cancer, absorbing spirits of guilty people to feed him, trying to find another vessel to possess. Vecna is a prisoner of the house, like Billy was a prisoner, and so was Molisar. 

JUST WHAT PAPA BRENNER WANTED ELEVEN TO DO

Speaking of which, notice the sequence. Vecna possessing the person by finding them in the vast darkness where/like Eleven found that Russian spy. He transmits to them, possessing them, the way the house possessed Creel. Their eyes roll up, then they bleed. When the scientists reprogram her memories with VHS tapes, she's getting possessed by that force, getting her powers back. It's quantum entanglement, again. 

Look carefully. Creel appears during the sequence, stepping out of the mirror, and also Eleven's head. When she blows him to bits (just like Demogorgon in season 1...which explains the maneuver, she used it before) he goes into the mirror. Except that doesn't make sense. You can't go in a mirror in STRANGER THINGS. So he goes into her head, a last second move to survive, transmitting his consciousness via quantum entanglement.


                                       
In THE KEEP Molisar can't leave. 
Vecna can't leave, either.

In THE KEEP Molisar is a powerful entity, probably an archon (fallen angel) stuck inside a, uh, keep (surprise) who can't get out. For all of his paranormal abilities, the entity can never leave because of a barrier comprised of silver T's (Da'ath symbols in the Jewish Kaballah) and so must empower and manipulate others. He is eventually defeated by Scott Glen, some sort of angel, for rather obscure reasons.

For all of his power, Vecna is stuck in the house. That's the secret. The key. We weren't told the history of that house. Who owned it, originally? Why didn't anyone ever talk about that house before? Again, did you notice the little boy gets possessed when he walks into the house? Watch that scene. When the father talks about first entering the place, in the lower corner the boy's eyes are turning milky white and he starts trippin'. That's a clue.


Always with the tentacles. It controlled Will. Controlled Billy.
Just like it controlled Creel/Vecna.

Another important series of clues are given to us in season 3. The Russian guard at the scientific research lab calls the strange, black cloud "The Shadow" and says it enters to bodies of the Demogorgons to reanimate them. Billy's medallion that he wears, even when he is possessed, is a reference to Vecna's human name in season 4, Henry Creel, which is also a clue. Let's put them together.

If The Duffer Brothers changed everything it would make logical sense. Many other people like me have written about the connections to The Montauk Project. The series is still using that conspiracy theory, in the background. My theory is that because (spoiler alert) the house is utterly destroyed by the end of season 3, time travel will be necessary (using Eleven's cool and fruity astral projection powers to visit the past) to find out who lived in that house before the Creel's walked in, and how Eleven's mother is connected, if she is.


Don't forget how the shadow infected/controlled Will, too.

Another big arsed clue is the shadow. The Russians call it that. Carl Jung calls it that. I called it that years ago. After Eleven (spoiler alert) blows Creel to Hades (or the mind of someone else...people can go into the minds of other people now, thanks to Eleven's other cool and fruity power, piggybacking) or wherever he goes (now we have another dimension, underneath The Vale of Shadows and the upside-down) Creel looks up and sees a shadow. He thinks he's controlling the shadow. Is it controlling him?

Seem familiar? It was always the rot in the house,
infecting/possessing people.
Creel was the perfect host.
Eleven almost is.
People who are possessed, bleed.
Unless they are perfect.

WHERE THERE WAS A WILL, THERE IS A WAY

Which came first, the shadow or the Creel? This is the question. The shadow is the source of everything. It possesses Will and Billy. It animates the Demogorgons in Russia. At the beginning of Season 3, the Russians fire lightning into the crack into another dimension, reanimating the shadow in the warehouse where Billy goes and tingling Will's spider sense. Vecna is stuck in the house. Why isn't Vecna able to go to where Creel used to hang out at as a kid? Because the shadow in the house, and the shadow controls everything.

THE CLOCK WITH THE HOUSE IN IT'S WALLS

By the way, the reason people infected by the disease/possessed by Vecna see the clock, is because he sees the clock. It's also a reference to the sci fi horror kid's classis, THE HOUSE WITH A CLOCK IN IT'S WALLS and Saturn, aka Da'ath, aka death, the spiritual wormhole spirits end up going too, transporting them back to Hades in The Kaballah.

Bad, bad news. There's a cube
and a 20 sided dice shape there, too.

At the same time, I'm not backing down from the theory that the whole problem is because of a tulpa, somewhere inside Eleven's head. The entire sequence where Vecna showed up is goofy. He appears inside of a mirror, inside of her head, while her memories are being manipulated in a sequence eerily similar to when HAL's memories are being altered in Stanley Kubrick's 2001: A SPACE ODDYSEY. The entire sequence where Creel is introduced feels like THE SHINING. 

Creel even seems like a reflection of Eleven. Considering how goofy the idea is, that The Hawkins scientists can just plug VHS tapes into her head to show her videos that are her memories...huh? In the 80's? Are they serious? Carefully consider what Eleven is told: "We recorded what happened to you, which you don't remember. Watch these VHS tapes and you'll get your power back." 


HAL gets his memories erased in 2001 A SPACE ODDYSEY.
Eleven's memories get changed.

This means they could show Eleven fake images, creating fake memories, gaslighting her into being something she isn't. Something the scientists want...a woman with psychic powers who is evil. Then she would kill anyone they wanted her too, like she wouldn't do before. Hence the tulpa, Demogorgon. 

Why does Creel see Demogorgon crawling out of where he's going, when Eleven kills him, and he's walking around some blasted hellscape, similar to Tartarus? Creel is in her head, via quantum entanglement. He's become a memory that haunts her, possessing her like a ghost, connected by Vecna.

Have you noticed that by the beginning of season 4, Eleven is a rather horrible person? Seriously, she's bad. Her first reaction to any sort of bullying isn't changing her clothing, her attitude, her haircut, thinking about how bizarre Eleven is, or anything like that. She screams and tries to kill them all, like a school shooter/mass murderer that kills everyone at their high school because some kids bullied them. 


The strange, evil kid, a literal manifestation of wickedness,
from THE CARE BEARS MOVIE.

GROWING UP WITH GOOD TELEVISION

Which makes me wonder...is Eleven really in the 80's? Let's look at the children's television shows she would have access too: PUFF THE MAGIC DRAGON...as story about getting along with others despite bullying. THE LITTLE HOUSE ON THE PRARIE, an ongoing series about people working together, without violence, to create a good society. 

THE CARE BEARS, which avoided violence to get kids to understand that negative behavior, like social bullying, gaslighting, lying and otherwise, had repercussions which hurt others and caused a person to devolve. Isn't she watching those shows? 

The answer is that Vecna is in her head. Creel survived after she blew him up, ending up insider her mind via quantum entanglement, possessing her. It's why her eyes were bleeding, like the people Vecna possesses. When the high school journalist nerd gets infected, his noses bleeds, and he sees people taunting him. They are illusions.


Psychological abuse, tulpas, duplicates, 
copies of reality, gaslighting, reframing...
PUFF THE MAGIC DRAGON had it all.

So the answer is that Vecna is causing people to tease Eleven, to cause her pain and separate her from the people that could stop him. The disease, that other dimension with all the tentacles and flying monsters, Vecna...can control people and project illusions. We saw all that in season 3. So that is what is happening to Eleven, so it drives her crazy. She's being gaslighted by her own mind. Eleven is literally projecting.

COUNT THE HAUNTED HOUSES

In 80's horror films the house is the problem. People walk in, and sometimes they don't walk about. Remember that in THE AMYTIVILLE HORROR the fathers both get possessed and kill, or try to kill, their families. It's like a disease people get from the house that leads to dementia so they kill people, similiar to rabies or brain tumors. That's what the disease, the shadow, in the house did to little Creel, making them into Vecna.

HOUSE and HOUSE II are about haunted houses that induce hallucinations and lead to different dimensions. THE KEEP is about a giant haunted house. So is THE HOUSE ON HAUNTED HILL. The family in POLTERGEIST moved into the wrong house. So is BURNT OFFERINGS and THE CHANGELING. The Japanese horror film THE GRUDGE is about a house you should never go into. The real problem with any haunted house horror film is why people don't leave the damn thing. The Creel's obviously left too late.


They practically photocopied the plot of STRANGER THINGS.

I AM THE PRETTY THING THAT LIVES IN THE HOUSE is a Netflix film almost created for Stranger Things 4. I suggest it. It's practically the plot of Stranger Things 4 if my theory is correct. The Netflix horror film is about (spoiler alert) a woman who gets her head whacked off in a house her husband built. The woman's body is then hidden in the walls of the house, becoming black mold. This black mold infects people, who see the ghost of the murdered woman before they die of a heart attack.

My theory is that is what happened to Creel as a young boy when he walked into the house. Everyone else ends up the same way...their eyes turn white, they levitate, blood runs out of their eyes, their bones break as their bodies contort and they die, drained of...something. What is it? Bioelectricity? Their memories? Their souls?

BUSTIN' LOOSH

In the occult, "loosh" is a phrase for the bioelectricity, or chi, evil entities and psychic vampires (or just vampires) drain out of you when they drink your blood or just cause suffering. In David Lynch's TWIN PEAKS, his term for loosh is "gorgonzola," and it's usually depicted as creamed corn. Although clumsy, the metaphor is about pain not just being a torturer's pleasure, it's their food.


The Upside Down in TWIN PEAKS.
Notice the Saturn on the desk.
Plus the red colors, and evil entity.

THE OCCULT AIN'T CUTE

The Theosophy quote we started this whole conversation with above about vampires explains every horror film villain you see. They are demonic entities that were either never human, or partially. They exist in The Astral Plane...The Upside Down...The Kamaloka...possessing people, obtaining loosh, and then they are gone. Mass murderers? Werewolves. Cult leaders? Vampires. Serial Killers? Either or. Who cares? It's all bad.

When you read dusty occult manuals regarding ghosts, demons, haunted places and the realms of the dead ("The Realms of the Dead" would be a great name for a goth industrial band. Lol! Sorry, just trying to lighten the mood) like C. W. Leadbetter's "The Astral Plane, It's Inhabitants, Scenery and Phenomena" (aka Theosophical Manual No. 5) there's a scary warning about the afterworld: it wants you...and it wants to be you.


THE THING. Seem familiar?
The disease from STRANGER THINGS
is just slower.

When Billy communicates to his double created by the Thassalhydra, it says it wants to build, revealing copies of other beings it has consumed. Remember, in STRANGER THINGS the entity is a collective. The beings that allow it to feed from wherever it is are just mindless appendages. There are like masks for a villain with a thousand faces. It's also a disease...which mindlessly wants to spread, duplicate, and is a mass consciousness on a micro level. 

A SIMPLE OCCULT REASON(ING)

C.W. Leadbetter's book describes ghosts as being like recordings, or etheric shells, similar to Russian dolls. Necromancy and really black magic is really bad because nasty entities like vampires, werewolves, necromancers and worse can wear ghosts like a costume, manipulating you, using you for your loosh, through the shedding of blood or otherwise.


I don't make all this crazy shiznit up.
It's by the books.

Whenever you hear a story in the local news about Ouija boards being around mass suicides, or when a parent goes berserk and kills their family (and themselves) that's a werewolf or vampire. Sure, you think you are talking to a dead friend or relative, but underneath that etheric shell is a thing that will use people long enough to use them up, leaving blood in their wake.

In FREDDY VERSUS JASON, it's finally revealed that Jason Voorhees also kills people and stores their spirits in some bog, keeping him around. Freddy mentions doing that in the NIGHTMARE ON ELM STREET series, too. 


Billy got possessed and got powers.
That action will be back in 5, for sure.

That's Vecna...and the consuming force behind him. It's important to remember, throughout the entire STRANGER THINGS series, that the biggest problem the good guys face is the bad guy is never really dead, just defeated, like the Eye of Sauron. They whack entities left and right, or drive it away like the cloud/shadow that possessed Will, yet the really Big Bad is behind the violence and untouchable from their dimension.

All the monsters in our horror films, whether they are slashers, vampires, demons, draugars (that's Viking for a talking zombie that can use weapons and eats animals/people) are all just entities slaughtering the actors we see on film and TV are really just feeding another entity...the audience. Us. We are the dark, blood-drinking force the director feeds. 

The monsters in horror films kill for us, and the characters in their stories can do nothing to stop us. We are in a different dimension, drinking deep with our eyes and ears. Draining "loosh," or "gorgonzola" in the films of David Lynch.


Don't forget the black rot from season 2,
which can infect anyone,
allowing Vecna to find them.

The real problem is that damn cloud, in another dimension, filtering through the house, looking for people to possess. Notice how the entity describes the boy as having no empathy. Meanwhile, when Vecna is looking around for people to feed on, he looks for guilty people. So the boy he possessed grew up to be the perfect predator. 

When Eleven destroyed Creel, where did he go? The mirror. Where did Creel come from? As they manipulate Eleven's memories, i.e. gaslight her, i.e. reprogram her, Creel appears out of the mirror, like a double. Eleven's double. Here evil alter ego. Her id. The demon she's been fighting in another form. That's my theory. The problem isn't Vecna. It's the cloud, the house, and whatever is in that house that possesses people. It's also related to seeing the image, which is why Creel's blinded father lives.


The image outside ends up inside. Creel is in Eleven's mind.
He's probably been there, the entire time.

Notice how Vecna is constrained by the tentacles. Held in place. Look familiar? Like Billy ended up from last season, right? Because Billy was a prisoner, held in place, forced to do the bidding of a greater evil, just like Vecna. Besides, by the end of season 4 Vecna is smoldering dog food. 

So if it was him along, who will be the villain in the next season? The same villain it always was...Eleven's dark twin, the cloud, the house and the gate...they will just send another monster, another Yellow King to represent Hastur the Unspeakable, just like last season and every season.


The leftover spirits, or ti bon ange, of the people
consumed by The Upside Down entity,
which feeds on blood, always.

What about Demogorgon? It's simple. Let's look at African voodoo. When Eleven absorbed Creel, he ended up as an image, or memory in her mind because of quantum entanglement...the concept that an image of an object can be linked, by electrons, to a copy. 

His soul, the gros bon ange, is stuck in her head, and The House. His spirit, or ti bon ange, ended up as Demogorgon. That's why he watches it crawl away, from where he is in her brain. It's starving, so it feeds on the guilty, temporarily possessing them to be drained. Or it could be he saw the tulpa appear when Eleven though about it, when she found the Russian spy Eleven was sent to kill, just like Vecna does.


Where did the spy go?
What did Demogorgon do with the body?
Is this Russian spy still in The Upside Down?

Now, for my last confession.

I thought my idea for Eleven's tulpa was original. Nope. It was done a lot in the 80's In fact, I think there's an ultimate source for Demogorgon in season 1 of STRANGER THINGS. Check out the beautiful, vintage horror film I, MADMAN. It's about a woman who reads a spellbook, and then is haunted by a demon in one book, a ghost in the other. Eventually, the ghost from the horror novel she's reading comes to life, murdering people in the real world. He's a tulpa.

To defeat him the woman summons the demon in the first book from her head, and it drags the ghost back to Hades, just like Pinhead plus the Cenobites in HELLRAISER. The demon she summons even looks like Demogorgon in STRANGER THINGS season 1. I have to admit, that realization didn't come to me until now. Again, The Duffer Brothers are brilliant artists who deserve more credit than they get. Each of them is a real genius.




Tuesday, October 14, 2025

Please Support Me on Patreon - New

 

Me, performing comedy at The Ice House in Pasadena, California

Hello everyone! My website has gotten bigger. More traffic. More offers to write about brilliant new music from awesome, worthy musicians. That also means The Powers That Be have offered me adware for my website, and the traffic I get.

This is bad because that means adware, pop up ads, and strange cookies that end up in your smartphone. You can't even eat them! What kind of cookies are those? You know that's not my style. So here is my supercalifragilisticexpealidocious idea: You can support me on Patreon!


My problem as a freelance journalist is a PR agency or artist contacts me about an interview. So I email publications. And wait. Forever. When the publications gets back to me the new LP or EP has already hit the headlines, or they ask me to ask the artist questions until they block me on IG because nobody likes 3+ DM's. Some publications just don't want to cover more new artists, ever. No one knows why.


While the ad money I get from RECYCLED ROCK & ROLL is ok, and cash from PASADENA VINTAGE spends alright, my website needs revenue to continue. Supporting me means faster, meaner articles that are funny and say what needs to be said. We can fight The Man, together.

It also means I'll be able to cover musicians, entertainers, horror, the occult and comedians more for you because my website will get updated, more often. From now on there will be a new article every week...and you'll be able to choose the subject! PR companies can also support me directly through Patreon.


For $5 I'll update the website more often and you don't have to fight pop ups or worry about adware. Or spyware! Or maybe even...BAD MUSIC. Dark, evil forces offer me money to cover artists that just ain't that cool. It's also a drag to wait two weeks or two months for an editor to let me interview a band that needed the good press long ago.

For $10 YOU can contact me and ask that I cover certain subjects. Films. shows. even musicians you know! If you are a musician, I'll interview you, too. Or a comedian. And a tragedian! I'll interview anyone, as long as they aren't evil, boring or just uncool.


Finally...you'll notice I also produce comedy shows and films. By supporting me on Patreon, you'll see more original content ad free that challenges mainstream media conventions and helps pay independent artists like the comedians and musicians my shows employ.

So that's it. Support me on Patreon, please. For five dollars you get more articles, faster, ad free. Ten dollars means you can email yours truly at jasentdavis@gmail.com to suggest musicians, artists, comedians and content. $5 or $10...it's how we win. Wow, what a nifty campaign slogan!

Thank you for your time.
 

Saturday, June 14, 2025

Steven Marcus Releford & Welcome to A.A. - Comedy

Photograph by Louis Hamilton, II

    I met the stand up comedy artist known as Steven Marcus Releford long ago, when he was hitting his stride performing on both American coasts in addition to Los Angeles, California and cities in the midwest known for stand up comedians like Chicago, Illinois and Boston, Massachusetts. Since then he's moved on performing for film, making big crowds laugh even bigger onstage, and being interviewed for podcasts and real life publications audiences respect. 

    When I last saw him perform at his sold out show The Improv in Hollywood, there were so many people there just to see him I realized he wasn't just a big part of the professional Hollywood stand up scene...that night, talking quietly to his friends after the show in front of a legendary location, Marcus was the scene. People laughed sincerely and stayed long after, because he's his true authentic self, on stage or off.

    His latest show that we're all going to is WELCOME TO A.A., an ongoing extravaganza of jazz, improv, comedy, storytelling and that little bit extra, worth more than platinum, that is artists socializing, creating a true cultural scene. The show has been going on for some time, generating a loyal following in a town where anything on the regular could get disrupted. The fact that WELCOME TO A.A. persists shows true dedication...a quality every human wants when they enjoy a good night out. 

Don't miss this. Tickets are still available.

    It's been my honor to work with Steven Marcus Releford...Marcus, when it's not business, and the shows we've done together benefit from his spirit. He is the casting director for many of my projects. Because of Marcus I've met real living legends and real comedy artists like Ben Hurwitz, Malik Bazille, Vanessa Jeha and Dave Moon. That's an additional benefit of working as a professional comedian in a city like L.A. where reputations matter. He's the businessman to consult when real talent is needed.

Nobody will ever forget the unique success of our first THIRTEEN.

    Marcus has organized a show called WELCOME TO A.A. It's on June 27th at Culver City. You have to RSVP on his Instagram to get the real location, though! It's going to be worth it. Here's even more good news...I was able to interview Steven Marcus Releford and ask some real questions about his life and the pursuit of art. Just like his comedy, any conversation with Marcus is a real professional talking, not some memorized script for maximum profits. Like I've said, he's his true authentic self. No surface performance detected. 

Direct words from the man, himself!

    HUNTING SZN is his latest comedy construction project, a mixtape of his best delivered as an, "A.S.M.R. Comedy Experience." After you read this interview, please follow those links and give them a listen. It's worth your time. If you'd like to truly enjoy your evening in L.A., go ahead and R.S.V.P. for WELCOME TO A.A., ok?

Marcus in motion, manifesting what's funny.

Why is "Hunting Szn" unique, compared to previous comedy albums?

This is more of a comedy mixtape. It's just a compilation of my favorite jokes that will be more refined and flushed out on the upcoming album. I think the presentation will be unique and the material will stand the test of time.

I've seen a wide diversity of audience members all laugh together at your jokes. Why is it that so many different people can relate to your humor?

I'm not sure. I keep a balance of simple day to day observational stuff mixed with deeply, absurdity, thoughtful silliness people enjoy.

Steven Marcus Releford has also worked with 
living legends like Tom Rhodes.

When should a stand up comic release an album?

I don't know...I guess when you have a voice and a unique idea combined with the access to equipment, editing...go for it. I've yet to release an album though I'm planning on recording a catalog of stuff soon.

I've seen examples of your film acting in THE LOVE OF REASON. You have an undeniable stage presence. What other acting projects are you involved in?

I'm working on producing my own shorts and web series, keeping my ear to the acting streets and auditioning as well though I'm eager to work on creative projects, I'm more interested on building something myself.

Steven Marcus Releford flies high in THE LOVE OF REASON.

What's the best advice you can give a young, new comic, now that you are a respected veteran?

I don't know about that. What makes a veteran, I guess? One who's been at with the system, small or large? And yes in that sense I could be...though more measurements would be success and there is small wins and big wins...me treading water is like a soldier crawling for safe cover a small win, as art is both peace and war with one's self, have fun and enjoy the journey...though the best advice I can give is your environment is A and your material is B though your material must be in your DNA.

Steven Marcus Releford, as himself.

    These days stand up comedy is a modern interface of social media, physical locations, and the comedian working for an audience, or to find one. If you truly love stand up comedy, please follow Marcus on social media, as well as other comedians you like. It's the fastest way to find out about shows and benefit the artist, straight to the source.

    It's good times for stand up comedy in L.A. This is the only city where you can see the future of comedy, right now. If you are feeling lonely, if you feel like you don't socialize enough, or meet enough new people, go see live comedy in your city, if you can't make it here. You'll feel better. Laughter isn't just the best medicine, it is also the healthiest narcotic. 


Follow Steven Marcus Releford on Instagram for more updates, and to DM for an RSVP to his shows, right here: STEVEN MARCUS RELEFORD

Check out "Hunting SZN" right here: HUNTING SZN

If you like Steven Marcus Releford you'll love his podcast! FOLLOW HIS PODCAST HERE

Get tickets to WELCOME TO A.A. with Steven Marcus Releford here: WELCOME TO A.A.

Thursday, February 13, 2025

Pyncher, Their Single "Get Along" and You - Music

This single rocks...listen to it and ascend.

A short while ago it was the 80's and I had just started junior high in the thriving metropolis of Rancho Cucamonga, California (in America) when my friends met one day with me to discuss that we were now all totally dedicated to a) skateboarding, and b) being punk rock/listening to punk music.

That part of Southern California is a region known as "Dogtown" to the skateboarding community because it's near to San Bernardino County, the murder capitol of our wonderful state. Not intended to be a compliment (skating down the streets of south Ontario could get you shot in the 80's and now) the fair denizens made it their flag. 

                           
                 Dogtown Skateboards, from Thrasher Magazine.

Skateboarding and punk rock were synonymous to us and where we skated, whether it was Rancho Cucamonga, Riverside, Upland, Claremont, Montclair, Fontana or San Dimas and beyond. The first albums I listened to as a teenager were Join the Army by Suicidal Tendencies, Give me Convenience or Give me Death by The Dead Kennedy's, Kiss Me Kiss Me Kiss Me by The Cure, Bad Music for Bad People by The Cramps, Never Mind the Bollocks Here's The Sex Pistols by Sex Pistols, and Atomizer by Big Black. 

My first album I bought was Living in Darkness by Agent Orange. We got onto our skateboards and rode down the streets from Ontario to Upland where I dropped $5 on vinyl at a Music Plus downtown. They didn't have cassette tapes for the work. We then went home, put the album on a record player, popped in a blank cassette, repeated the process for the other side, and I now had a copy of a genuine Orange County, California surfpunk, or just punk, record plus cassette. That's progress.

Living in Darkness, by Agent Orange.

Before I go further, check out their cover of "Pipeline." Wow! Moving on decades later Pyncher sent me an email with a link to their latest single, "Get Along." I wondered at this. Pyncher isn't punk, exactly. They are vastly more unique and evolved. I'd still count their music as postpunk from the Manchester, UK scene, which makes it a direct connection to the source. Wow, again!

Understand that, I like Pyncher. No just as a music band. They are very cool, good, honest, seriously music oriented people I'm emotionally invested in. So it's important to listen to "Get Along," as an outside observer, while to other coin's side is that a badass band emailed me a single! I didn't have to get on my Mike McGill mini with Indy 150's, German bearings and Santa Cruz 65A Slimeballs while I ollie'd curbs and did my best not to fall on my face in the streets of south Ontario, CA holding Agent Orange's record in a plastic bag. Open email, follow link, enjoy music. Not much risk. 

Get it. You'll love it.

It was a rush to listen to the song. The energy, driving backbeat, thrashing guitar grooves, bone throbbing drum beats and harsh, powerful vocals synthesized, creating a single dedicated to getting you along the highway, sidewalk, or just life. The song is ominous. It reminded me of bands like Sonic Youth, Echo and The Bunnymen or Jesus and Mary Chain. It's rock and roll. It's going places, or "Get Along" is going to get you. Probably both. 

When I first listened to Pyncher long ago (there's a review for one of their singles on my site, if you look) what captured me was their ferocious, punk energy. That cannot be manufactured or processed. "Get Along" has that fire, like a locomotive comprised of guitars, drums, bass, vocals and sheer supersonic inspiration. I turned up the volume listening to the song, and wanted to drive faster. It has that Zen. 

Listening to the single really is a jaunt. There's discovery and surprises. Pyncher had studied the greats, you can feel so many influences throughout their music, yet "Get Along" is it's own machine. Each song they compose has a story. The lyrics can haunt, echo, rock and wail, like the other musicians playing in the band. The best part is how their songs can become part of the soundtrack to your life, if you want, and take you right off this slow, unimaginative Earth. 

The very fine music band known to the world as Pyncher.

One of the great advantages being me is that I get the honor of talking to musicians about music. Sam Blakely took time from touring and making music to share some words about why "Get Along," got made, and what it's like being part of the charisma Pyncher possesses. 

What's the inspiration for "Get Along?" 

I didn't think much about inspiration when writing it. I was listening to a lot of Sonic Youth at the time. I wrote the song on Harvey's acoustic guitar in one afternoon and I suppose I was trying to write a love song because I was tired of writing depressing lyrics, but it turned out a bit different. 

Does the song have a message?

The song is about looking back and longing for something, even if it wasn't all good at the time. And that's quite a universal feeling, I think. 

Pyncher has gone very far in just a few years. How do you feel about that?

It's quite special to me because I never felt like I would ever share my songs with anyone. I wrote a lot when I was younger but was quite embarrassed by what I was doing. It wasn't until I was 18 when I reached out to Harvey and Jack and showed them my music. I'm sure it wasn't great for at the time so I'm grateful to them for sticking with me and backing what I make. 

There's so much more we want to do but we know how hard it is to get anywhere in music right now. So we're trying to work hard and enjoy what we do in equal measure. Which is tougher than it sounds. 

How does "Get Along," compare to previous songs you've written?

It definitely has some sort of energy we haven't managed to capture in any of our other songs. I think the simplicity and rhythm of the song made it a fun challenge to write. It's nice to be restricted sometimes. 

What do you think will happen next for Pyncher?

I wish I could know. Hopefully great things. 

...

At 50, it's time to realize that the customers have to go home, machines must be deactivated, the lights will turn off, and one day your life will be CLOSED. Whatever. All the friends I grew up with are dead or so far away we never talk. My entire family died years ago. Socialization is as rare as a falling star. 

Skateboarding is still an option, which is a good thing. I'll always have the music, though. Bands like Pyncher, The Cramps, Skinny Puppy, The Cure, Black Market Baby, Manufacture, N.W.A., etc. gave me a companionship real life couldn't, and can't, anymore. Good music makes you feel less alone, like you'll never slow down, and I am thankful. Great songs give you wings. Keep flying high and fast, Pyncher. We love the acceleration. 

Enjoy Pyncher on Facebook. It feels good.

The next best feeling is being with Pyncher on Instagram. I follow them. It's great!

Don't forget X, where Pyncher is there to provide you with love and music.

Pyncher has a website where swag and paraphernalia are there for you.

Linktree is there for thee, where you can listen to Pyncher for free.

This is a direct link to Pyncher's new, luscious, unique, fun, entertaining single "Get Along" which is why I wrote this whole small exegesis.

If you like this website feel free to donate money to me, it keeps it all ad and pop up free!