Thursday, October 26, 2017

The Monster in Stranger Things, Part VII - The Weird


This is Part VI of an exploration into the nature of Demogorgon (or The Monster, as I prefer to call it) in the Netflix sci-fi/horror masterpiece, Stranger Things. You can read Part I herePart II herePart III herePart IV herePart V here and Part VI over here. Spoiler alerts will follow.

NOTHING MIGHT NOT MATTER

You've seen the ad for season two of Stranger Things. I really love how there is a shot of Eleven's mother getting electroshock therapy. That gives us a source for her power. Her mother took some experimental drug, eats a dose of human-made lightning and ta da! We have Eleven. 

What's incredible about the explanation for The Monster, aka Demogorgon, is that we don't need to understand where it came from, or how it works, to enjoy the series. Stephen King's "The Mist" and the works of H.P. Lovecraft operate in a similar capacity. The Unknown doesn't give a damn if you don't understand it. You aren't important enough to the vast darkness of the universe to get an explanation. As I've mentioned before, there is no point where anyone in the series explains the origin of The Monster, and that is OK. 



FEAR OF THE (UN)KNOWN

It's important to remember that what The Duffer Brothers did was create a monster out of concepts that have always existed in modern horror, occult literature, Stephen King's books, Dungeons & Dragons and conspiracy theories found on the Internet. Eleven didn't go into The Vale of Shadows when she encountered her own personal demon. She went into her own mind, a black space referred to by her as The Upside-Down. 

Eleven, just like the USS Eldridge in The Philadelphia Experiment, released an electromagnetic pules that sent her into another dimension. She switched places with The Monster, which escaped from the lab. Nowhere in the series does The Monster seem to show any ability to use telekinesis. When Will is hiding in the shed with a rifle, it is Eleven that opens the door to the shed. She's following light sources, which use electricity and can therefore be seen in The Vale of Shadows. That's why she knows what the boy looks like and feels guilt. When The Monster released an electromagnetic pulse to catch the boy and drag him into the next dimension. Eleven ended up in our world.




Later, when Eleven made The Monster vanish, she basically released an electromagnetic pulse that put it back into the black space that was her inner mind (sounds like the title to a Death Metal album) while she ended up in The Vale of Shadows. The ad for the second season clearly shows Eleven in that place, using a hole The Monster created to go into the real world (which we've seen before with the portal in the tree in the forest), so I'm probably correct.



NO OCCULT AT ALL

Another thing I've noticed is how nowhere in Stranger Things does a person talk about the occult. Will's mother doesn't even talk about ghosts. No demons, no witchcraft. Instead you have teams of scientists working for some evil, deep state section of the government, and that makes the horror all the more realistic. Even The Exorcist had parts where modern science took a stab at what was messing with the girl's mind. When Carol Anne vanishes into the television in Poltergeist, maybe she went to The Vale of Shadows.

"IT" 

Spoiler alerts! I've sure by now you've learned about It and have maybe even see the movie. Although I can't tell you how the second movie will end, I can tell you that after reading the book, it is pretty clear that It is actually a tulpa. Case in point, "The Ritual of Chud", which the children use to banish the monster. This is an obvious reference to Tibetan occult mysticism. As I've mentioned before, Alexandra David-Neel, in her book “Magic and Mystery in Tibet,” discussed how she was taught by practitioners of magik during her 14 years in Tibet how to create a tulpa using another ritual, “The Dubthab Rite.”



In order to teach their students that all reality is an illusion (an observation shared by modern science, the theory of relativity, quantum physics, string theory and probability) Tibetan holy lamas would train practitioners to summon a “real” illusion with “The Dubthab Rite.” David-Neel did so, and according to her created a man dressed like a Medieval friar, believe it or not.



After a while David-Neel claims that the friar became “sly and malignant,” forcing her to banish it with “The Dance of Chod.” She basically sat in a circle, concentrated on the monk, summoned demons from her own mind, and commanded them to destroy the monk. Scary, real or not, according to David-Neel the evil friar was banished and stopped bothering anybody.

It seems to be a tulpa of the violent, horrifying, sexually abusive world that the kids in the book inhabit. Pennywise the Clown is really just a name for an elemental force from another dimension (the book gets really weird by the end) that shows up to kill a lot of innocent people in a regular cycle in order to terrify the survivors enough to feed off their fear. The children banish It with The Ritual of Chud, just like David-Neel banished her own personal demon.



A FRACTURED WHOLE

Eleven was repeatedly abused and ordered to kill the Russian spy with her mind. Similar to the children mentioned in conspiracy theories such as Project MKULTRA, MKOFTEN and Project Monarch, she basically created a tulpa, a splintered personality based on her negative experiences, which killed the spy. The scientists ordered her to make contact with it, so she went into her own mind. After confronting her personal demon, she screamed, creating an electromagnetic pulse that placed the monster in the real world but put her in the Vale of Shadows. 

At the end of Stranger Things, Eleven does the opposite, confronting her personal demon again but this time putting it back in her mind (the black space she calls The Upside-Down) while she ended up in The Vale of Shadows. In the latest ad for season 2, she is seen going through a hole in the wall, probably the same one The Monster/Demogorgon made to enter the real world in the final episode. It all makes sense.



THE COLLAGE TAKES FORM

If The Duffer Brothers wanted to create a visual representation of a character's personal demon, what would it look like? There are numerous clues that can be seen as to why the Monster appears the way it does.  When Eleven contacts it for the first time, she does so in a flesh colored outfit that looks a lot like The Monster when it stands upright. It crouches like the lion doll in her cell. It's head spreads open like a tulip (tulpa/tulip) from the plant that is also in her cell. Compared to the boy fighting it, The Monster seems like a naked adult towering over a child. The flesh colored baseball bat is another Freudian clue. The Monster's head also resembles something else Freudian, from a female perspective.

THE SHINING AND MONARCH

The concept that abused children have psychic powers can be found both on the Internet, the works of Stephen King, and The Shining by Stanley Kubrick. The concept is that an abused kid ends up with a fragmented personality, with each shard, or splinter, having a distinct personality. According to many sources online, Project Monarch was designed to do this. 



"Firestarter" features a child that can control fire because of government experiments that have been done to herself and her family. The little boy in "The Shining" has psychic powers, just like many children with the shining throughout King's books, including It (a careful reader will notice that the children in It have not only all been abused, they also all have psychic powers). The girl in "Carrie" certainly has telekinesis, and she was certainly abused as a child, too.

Eleven may as well have stepped out of these sources. In Stanley Kubrick's version of King's book, Danny not only shines, he does so because his father has been sexually abusing him. Clues leading up to this horrible truth can be found throughout the film, and the subject has been discussed and explored by many film analysis types who know what they are doing. 



Why does Eleven have powers? Because of the drugs her mother took ("Firestarter," Project MKULTRA, "The Girl with the Silver Eyes"), and because she has been abused (The Shining, Project MKULTRA, "It", "Carrie"). What is Demogorgon/The Monster? An alter created to kill people with her mind because Eleven wouldn't do it herself (Project Monarch, Project MKULTRA, MKOFTEN, The Bourne Identity). This monster is an incarnation made flesh, a tulpa ("It", "The Dark Half",  Project Montauk, Tibetan occultism, The X-Files).

The Duffer Brothers didn't make up a monster out of nowhere, they gave us something we have seen before, crafted from horror films, books and conspiracy theories on the Internet. Don't believe me? Google “tulpa” and you'll see more of the evidence I've described. 



THE MONSTER’S RULES

There is a part in the series where Eleven opens the door to a market, walks inside, gets Eggo waffles, leaves with them and then closes the door behind her. Just like The Monster. That scene was there for a reason, to show you the parallel. Remember, as I've mentioned before, Eleven even said that she was The Monster. It certainly seems to follow her around, as if it has to be in orbit around her body even though it is in a parallel dimension.

What does The Monster eat? Electricity. It used to get it inside Eleven's mind. Outside of that, it must still getting what it needs to eat to live. That's why it is attracted to lights, blood, people, etc. It doesn't tear people apart...it swallows them whole to get to the electricity inside. After the biological matter gives up the energy, The Monster spits it up as some sort of egg...a twisted mockery of the human birth cycle (Alien). 



Later, we also see people being glued to walls (like Alien and Aliens) with tubes coming out of their mouths. After they die slugs crawl out of their mouths, which seem to generate an electromagnetic field to get back into The Vale of Shadows, just like The Monster. Touching a light socket can't work. It needs a body to generate the electricity, which Eleven used to do when it was inside her. Aside from the strange way it eats energy, The Monster can only detect what it eats. It doesn't seem to see, hear or smell. Otherwise, it is all very, very Id, and that is the dark side of our psychology, our own personal demon. 



CONCLUSION


The Duffer Brothers could have just used a vampire, werewolf, zombie or otherwise to be the monster in their series. What I've tried to show in this long, drawn out, hopefully not too boring exegesis is to prove that they chose a creature that did indeed exist, drawn from the various sources I've already mentioned. If The Monster turns out to be just another creature living in The Vale of Shadows, so be it. If there is another theory that is completely different yet equally plausible, I'd love to see it.




Friday, March 10, 2017

Captain Cannabis - Art


The Captain Cannabis online comic (www.captaincannabis.com) is a series of 13 webisodes presenting the adventures of Halburt Lighter, a.k.a. Captain Cannabis. Equal parts cynical comedy, life-affirming realism and superheroic fantasy, this mind-altering animated comic book feature delivers an enlightening jolt of THC-infused social commentary.


Verne Andru is the creator and writer of Captain Cannabis. His previous experience includes working on the legendary cult classic Rock & Rule, one of the many heavy metal-infused animated films that were so prevalent during the 70’s and early 80’s. Since then he’s worked with heavyweights such as Hannah-Barbara, Disney and Industrial Lights and Magic.
...
Andru was able to step away from his magnum opus long enough to share a few words with Culture Magazine about life, the universe, and Captain Cannabis.



How would you describe Captain Cannabis to some of our readers who might not have heard of your art?

This is the story of a down and out roadie named Halburt Lighter. Through a series of misadventures, he and his girlfriend end up in Vancouver, where a spacecraft shows up to help Earth. Okee, the alien on the spacecraft, has a magical plant he calls “herb.” When Hal smokes it, he is able to manifest what he thinks about in real life. I’m eventually going to combine all of the webisodes into a feature film I’m going to call 420.

He reminds me of DC’s “The Green Lantern,” with an emphasis on the green, only he can control reality. Isn’t the alien also a main character?

I wanted Captain Cannabis to look very professional, so I had to split the project into pieces to keep down costs. The next part of the series will deal with Okee’s backstory.


Captain Cannabis has some deep, occult roots. I’ve noticed a lot of references to Buddhism, Hindu religious beliefs, Gnostic philosophy and Tibetan mysticism.

Yes, the point is that we are a spiritual consciousness stuck in a physical body. Right now many people just want things for themselves and don’t care about anyone else. When you get into the higher realms of spiritualism there is a point where you have to ask, “What is the real  truth?” Okee and Hal ask this question.

Okee is meant to illustrate the struggle our consciousness has to rise above the material world. He represents the inherit weakness of man and keeps falling into matter. That’s our struggle.

Halburt Lighter, aka Captain Cannabis, is going through the illumination phase of becoming enlightened. In the first comic he’s just a basic guy who doesn’t think beyond his next joint or beer. He goes through a spiritual awakening by smoking pot.


How does Captain Cannabis reflect your personal beliefs about the subject of medical marijuana and the legalization movement? Why is something so useful still illegal?

One thing people don’t understand is that hemp, the parent plant of marijuana, is the reason that Western culture exits in North America. The first industry in the colonies was building ships, which needed hemp for rope. Because it expanded and became financially viable, this allowed Europeans to come over and invest in America. Back then hemp and marijuana grew everywhere. It actually required a lot of work to eradicate.

Why is it illegal? Money. You can grow cannabis anywhere. Because of that you have a product that is uncontrollable. Well, why do we have laws? To control us. The question is; what jurisdiction does the DEA have? It’s under the control of the IRS, not the FDA. It has nothing to do with food…it’s about money.

That’s a disturbing thought.



https://www.facebook.com/Captain-Cannabis-131856846871529/

Thursday, February 16, 2017

The Rise of Dave Ross - Comedy


After many hard-working years of sweat, toil and tears, stand-up comedian Dave Ross is finally experiencing cinematic success. Thanks in part to the lucrative popularity of the production Women, an original sketch-comedy show co-written by Ross and presented by the Independent Film Channel, he’s learning how to enjoy the financial rewards of performing in between touring the United States, starring in Comedy Central’s big hit, Drunk History.

“Right now I’m chilling, which is nice,” says Ross. “I’ve been doing stand up full speed without any breaks since I started seven years ago. In the past year I made a little bit of money from it. Now that I have money in the bank, I’m not worried so much.” But for Ross, relaxed doesn’t mean lazy. “I’m still doing stand up and writing comedy,” he says. “I’m also trying to sell a sitcom to Hollywood, so there’s been a lot of meetings.”


While the blockbuster appeal of Women, Drunk History and his own live shows has rewarded him financially, success is even sweeter for Ross since the writer and comedian nearly became homeless. “Last year I hit rock bottom. Totally broke. I was touring heavily and collecting unemployment, but I wasn’t on the road, and that was where my money was coming from. My sketch group and I sold some a show to IFC, but it took a while for them to pay us. I was so sad. If you can’t buy food or pay your rent, you feel like garbage.”

There is an ancient entertainment adage: “Pain plus time equals comedy.” Ross has a style that embodies this with observations such as, “I love being in my thirties, because being in my twenties sucked. You can sum up my twenties in one phrase, Amanda,” he says, whining sarcastically to dramatic applause as, with one word, his audience remembers the love in their life that crushed them. “When you turn thirty, a man in a trench coat knocks on your door. If you let him in he puts all of your movie posters in frames.”


“When I started doing comedy I was just scared that I would be bad,” says Ross. “At some point I stopped being afraid because I just wanted to be a good comedian. Now I’m much more relaxed about it. Last year I did a really big tour that ended with me headlining at The Los Angeles Improv. I performed a few months later at Meltdown Comics. At the Improv I just did jokes, but at Meltdown I just went totally off book and talked about what was on my mind for thirty-five minutes.” The audience laughed as Ross entertained them with personal stories about growing up and being on the road. “I just talked confidently about things and had fun. I went on a first date with a girl I met there that night. It was great showing her everything I believe in and who I was in my act.”

Being the star of Drunk History was an original experience for Ross. “They tell you to drink beforehand and be at least two beers in. I was nervous.” The crew set up the production in his apartment for more than twelve hours. “They gave me a location fee. We all got drunk together. I ended up drinking six dark beers and blacking out. The nurse had to give me oxygen. I told my story before I blacked out and afterwards. I ended up screaming and telling all of them to leave. “


No matter how successful somebody can get in Hollywood, Ross advises that they keep it real. The industry takes a lot of personal time, and that can hurt relationships. “If you get a credit before you are ready for it, you think it was kind of a fluke. Simultaneously, you notice that work is separating you from people. I was four or five years into comedy. It happened to me early.” In a town where crazy is common, Ross has kept his mind on what matters. “Life is about people. I’m going to start focusing on work and friends. I wish I could impart that to more people. You just have to tell yourself that.”

You can find out more about Dave Ross at www.davetotheross.com. He is also on Twitter at www.twitter.com/davetotheross. There’s even more of Dave Ross, and episodes of Women at www.womencomedy.com. Don’t forget to enjoy live stand-up comedy and “Good Heroin” with Dave Ross, Matt Ingebretson and Olivia Doud every Saturday night at 8pm over at the Stories Books & CafĂ© (www.storiesla.com) in Los Angeles, California.